{"id":1108,"date":"2026-08-13T01:00:51","date_gmt":"2026-08-13T05:00:51","guid":{"rendered":"https:\/\/linitiative.ca\/english\/sortie-de-secours-extrait-de-lep-de-florence-crete-lafreniere-bonne-nuit-cherie\/"},"modified":"2026-08-13T01:00:51","modified_gmt":"2026-08-13T05:00:51","slug":"sortie-de-secours-extrait-de-lep-de-florence-crete-lafreniere-bonne-nuit-cherie","status":"publish","type":"post","link":"https:\/\/linitiative.ca\/english\/sortie-de-secours-extrait-de-lep-de-florence-crete-lafreniere-bonne-nuit-cherie\/","title":{"rendered":"EMERGENCY EXIT, extract from the EP by Florence Cr\u00eate-Lafreni\u00e8re (GOOD NIGHT, DARLING)"},"content":{"rendered":"<p><a href=\"https:\/\/linitiative.ca\/?attachment_id=90200\"><img decoding=\"async\" src=\"https:\/\/linitiative.ca\/wp-content\/uploads\/2026\/08\/BONNE-NUIT-CHERIE-Florence-Crete-Lafreniere.jpg\" alt=\"\" width=\"499px\" height=\"678px\" class=\"alignnone size-large wp-image-90200\"\/><\/a><\/p>\n<p>Bonne nuit, darling, Florence Cr\u00eate-Lafreni\u00e8re&rsquo;s nocturnal project, presented \u201cSortie de emergency\u201d last March, the final extract before the release of her first EP xx. Carried by two voices who advance together just before the fall, \u201cEmergency Exit\u201d captures this moment of the tipping point \u2013 that of the beginning of the end.<\/p>\n<p>We find the same soaring pop-alternative atmosphere as in her first offering \u201cLes aviones\u201d, but this time enhanced by melodic and hypnotic synthesizers. For this project, the singer-songwriter surrounds herself with director Francis Mineau (Malajube, Lucill, Musique pour planches), multi-instrumentalist Thomas Augustin (Malajube, Jesuslesfilles), as well as Pascal Shefteshy for mixing and mastering. (Fire! Chatterton, Zaho de Sagazan, Coeur de pirate).<\/p>\n<p>From this synergy is born a coherent and assumed project: a space of freedom where comparison and conventions no longer have their place, where the artist moves forward fully with who she is, embracing her uniqueness, her femininity and her legitimacy.<\/p><div id=\"linit-2281204239\" class=\"linit-dans-le-contenu linit-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-8992136571741975\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:inline-block;width:728px;height:90px;\" \ndata-ad-client=\"ca-pub-8992136571741975\" \ndata-ad-slot=\"6185130430\"><\/ins> \n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>\n<p>Good night, darling, it\u2019s Florence Cr\u00eate-Lafreni\u00e8re\u2019s nocturnal project, which has set up a creative space outside of working hours. Having worked behind the scenes for several years (Bonsound, La Tribu, Th\u00e9\u00e2tre Granada), she is now moving to the forefront, driven by a compelling need to create to cultivate her joy. For a long time, Florence conformed for fear of disturbing, of displeasing, of not being \u201cenough\u201d. Today, she claims a posture of self-affirmation, nourished by a new clarity.<\/p>\n<p>Born in the margins of everyday life, Bonne nuit, darling is a space of freedom where comparison and conventions no longer have their place, where Florence moves forward fully with who she is, embracing her uniqueness, her femininity and her legitimacy. Guided by instinct and a refusal to worry, his approach is head-on, sincere and uncompromising. The night is his territory.<\/p>\n<p>ABOUT THE EXTRACT \u201cEMERGENCY EXIT\u201d A song that evokes what we try to keep when we know very well that we should let everything go. She talks about addiction, toxicity, breakup and that suspended moment when we recognize the end, without yet wanting to experience it.<\/p>\n<p>MUSIC CREDITS Vocal performance, synthesizers &#038; drums Good night, darling Production, bass, synthesizers, guitar &#038; drums Francis Mineau Additional synthesizers Thomas Augustin Lyrics &#038; Music Florence Cr\u00eate-Lafreni\u00e8re, with the collaboration of Francis Mineau Voice recording Ryan Battistuzzi Mixing &#038; Mastering Pascal Shefteshy Recorded at La maison de Francis (drums, bass, guitar, synthesizers), Thomas&rsquo; house (synthesizers) and Le Stuzzio (vocals) ISRC CBFNJ2500001 Distribution Happy Life via Believe<\/p>\n<p>xx1. Airplanes 2. Emergency exit 3. Before the ink 4. Counting seconds<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_51229\" width=\"640\" height=\"360\" data-origwidth=\"640\" data-origheight=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BSc2CC6RyMo?enablejsapi=1&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;rel=1&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;disablekb=0&amp;\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" name=\"_ytid_51229\">[embedded content]<\/iframe><\/p>\n<p>LyricsMy head spinning in your handsA signal of beginning and endBut for tonight I hear no moreNothing is lost until tomorrow<\/p>\n<p>We get lost in all the detours Looking for the emergency exit The fire that burns back and forth And always it stops Then it starts again<\/p>\n<p>There is nothing to say, nothing important In front of the void that awaits Promise me everything in this moment I know how to believe you better when you lie<\/p>\n<p>We get lost in all the detours Looking for the emergency exit The fire that burns back and forth And it always stops Then it starts again<\/p>\n<p>Close your eyesClose them tightlyForget everything that&rsquo;s comingHold me so tightThat I don&rsquo;t feel anything anymore<\/p>\n<p>We get lost in all the detours Looking for the emergency exit The fire that burns back and forth And always it stops Then it starts again<\/p>\n<p>Leave me, leave me Leave you, leave you<\/p>\n<p>We catch fire We go out We get hurt We bandage ourselves We wait We hurry We take ourselves We let ourselves<\/p>\n<p>Looking for the emergency exit<\/p>\n<div id=\"linit-1551087804\" class=\"linit-apres-contenu linit-entity-placement\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-8992136571741975\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:inline-block;width:728px;height:90px;\" \ndata-ad-client=\"ca-pub-8992136571741975\" \ndata-ad-slot=\"6185130430\"><\/ins> \n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Bonne nuit, darling, Florence Cr\u00eate-Lafreni\u00e8re&rsquo;s nocturnal project, presented \u201cSortie de emergency\u201d last March, the final extract before the release of her first EP xx. Carried by two voices who advance together just before the fall, \u201cEmergency Exit\u201d captures this moment of the tipping point \u2013 that of the beginning of the end. We find the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/linitiative.ca\/wp-content\/uploads\/2026\/08\/BONNE-NUIT-CHERIE-Florence-Crete-Lafreniere.jpg","fifu_image_alt":"SORTIE DE SECOURS, extrait de l\u2019EP de Florence Cr\u00eate-Lafreni\u00e8re (BONNE NUIT, CH\u00c9RIE)","footnotes":""},"categories":[6],"tags":[],"class_list":["post-1108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-communiques"],"_links":{"self":[{"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/posts\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/comments?post=1108"}],"version-history":[{"count":0,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/posts\/1108\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/media\/1109"}],"wp:attachment":[{"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/media?parent=1108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/categories?post=1108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/linitiative.ca\/english\/wp-json\/wp\/v2\/tags?post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}